Night Two Event Page
NIGHT ONE
LINEUP:
Goon
(Dizzy) is
pure stoned-Weezer goodness, an image of SoCal summer painted in golden
sludge.
-Rolling Stone
-Rolling Stone
Draag
Honestly, the whole thing
sounds like a lost gem from The Bends, but if Radiohead had stopped
overthinking things, and started experimenting sooner.
- Noisey
- Noisey
Sweater
Fiery post-punk from
Los Angeles, CA
Jean Dawson
Bad
Sports eschews genre convention for an unique collage of seedy guitar
melody, distorted rap poems, and pale nostalgia.
- Earmilk
Collin Cairo
He brings back the theatrics
of the 80s, mixes in his creative lyric writing and with just the right amount
of unexplored magic he has created music that is unlike anything else and above
all he has done it right...
- Wolf In A Suit
- Wolf In A Suit
Girl Friday
Four-piece, political garage
pop.
NIGHT TWO LINEUP:
Young Jesus
Literary,
emotional, and filling up all the space between indie and post-rock, the Los
Angeles band's third album is not a conversation piece, but a dialogue meant to
be shared.
- Pitchfork
- Pitchfork
*SURPRISE
GUEST*
With
its chorus that swells before spilling over, ***** is a plea and an
appreciation that demonstrates the dichotomy of virtue. It also highlights the
duality of *******, a playful project that balances heart-on-sleeve
sentiments with levity and wit.
-
NPR
SLUGS
My only complaint is that SLUGS is not based in NYC as it is
definitely one I would try to see as often as I could if they were.
- Indie Music Reviews
Justus Proffit
The Elliott Smith comparison is apt, as are comparisons to
Alex G and Coma Cinema. So basically it's the perfect soundtrack for your next
breakup.
-KEXP
Cartalk
Delicate
alt-country from singer-songwriter Chelsea Moore
Bloomers
Ferocious pop-punk from Fort
Collins
A statement from the
festival:
Unscene Fest is an attempt to both cultivate and spotlight a new
type of music and art scene within Los Angeles. A scene that not only supports
great music and art but openly welcomes experimentation, intellectualism and
activism.
In recent years, the DIY music and art community in Los Angeles has coalesced and flourished into a uniquely identifiable scene with global reach. Yet, as with many scenes, it has also organized itself according to a hierarchy of cool that excludes talented people who don't necessarily fit the community's aesthetic, leaving bands and artists without similar associations and musical touchstones out in the cold when it comes to playing shows and having their art promoted through the usual channels.
With that in mind, we've consciously decided to reach out to musicians and artists outside of the typical "scene" in hopes to shine a light on the world on the fringe and open the door to a more inclusive underground music community.
In recent years, the DIY music and art community in Los Angeles has coalesced and flourished into a uniquely identifiable scene with global reach. Yet, as with many scenes, it has also organized itself according to a hierarchy of cool that excludes talented people who don't necessarily fit the community's aesthetic, leaving bands and artists without similar associations and musical touchstones out in the cold when it comes to playing shows and having their art promoted through the usual channels.
With that in mind, we've consciously decided to reach out to musicians and artists outside of the typical "scene" in hopes to shine a light on the world on the fringe and open the door to a more inclusive underground music community.
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